
Dazzling Dufy: Invitation to a luminous feast with Raoul Dufy
Raoul Dufy (1877-1953) was a key player in early twentieth century avant garde art, design and literary/theatrical circles in Paris. As a widely travelled polymath, Dufy’s charismatic personality, wit and curiosity about the world was infectious. His imagination and technical virtuosity – across a range of media including painting and lithography, posters, book illustration, theatrical set design, textiles and fashion, ceramics and large murals – cut across all conventional boundaries. Whether a small intricate woodcut illustrating a love poem, or the truly gigantic 1937 world fair murals depicting the role of electricity in the modern age, the effect is mesmerising. Dufy defies categorisation, constantly innovating and experimenting with new materials and effects. His analysis of the visual world is sophisticated and joyous in equal measure. Perhaps this goes some way to explain why some later critics fail to grasp its complexity and pigeonhole him a ‘decorative artist’, or misunderstand the irony in his witty yet gentle caricatures of elegant social life.
About Mary Alexander:
Thirty years’ experience as a lecturer, with a BA in History and History of Art and a MA with distinction in History of Art from University College London. Experience includes public lectures in museums, tutoring for the Open University, visiting lecturer at Christie’s Education in London, museum curator at Platt Hall, the Gallery of Costume, Manchester. Now a freelance lecturer to various arts, heritage and antiquarian societies. She also worked in Pentagram design consultancy in London and New York, organising conferences and special events. Author of various articles on design and visual awareness issues, her background combines an unusual blend of academic and visual communication skills. Lectured for ADFAS Australia and New Zealand in 2011, 2013 and 2016. Mary is an enthusiastic member and President of Glaven Valley DFAS.